SPACE IS STILL THE PLACE
Questions bring art to life. Songs can still ponder socio-political issues, the fragility and isolation of the human condition, and what lies ahead for earth. Moreover, music possesses the potential and gravitas to incite change, while reflecting the world’s faults and follies. The Bright Light Social Hour contemplate a “Future South” on their second full-length album, Space Is Still the Place [Frenchkiss Records]. The Austin artists—Curtis Roush [guitar, vocals, synths], Jack O’Brien [bass, vocals, synths], Joseph Mirasole [drums, synths]—offer a different interpretation of the space around them throughout ten thematically connected songs. They tackle a myriad of issues head on during tracks such as “Ghost Dance” and “Ouroboros,” while “Infinite Cities” contemplates loneliness and “Escape Velocity” subtly hints at a orgiastic ending. The album will pose a few questions, but you may leave with an answer or two as well…
The Bright Light Social Hour convened while Curtis and Jack attended graduate school at the University of Texas in Austin. They released their self-titled debut in 2010 and scored six awards at SXSW 2011 Austin Music Awards. Throughout nearly three years on the road, they experienced the ins and outs of America, and that voyage ignited a perspective shift.
Theirs is not just a thematic progression though. Traversing the country and cranking tunes in the van, the collective musical palette expanded, embracing influences as diverse as deep house icon Frankie Knuckles, dance renegades Disclosure, Motown legends like Marvin Gaye, and Detroit Afro-rock revolutionaries Black Merda. Everything siphoned into the vision behind Space Is Still the Place. Building a studio in their Austin home, the boys began their musical journey in early 2013.
“We’re all ostensibly southerners,” Curtis continues. “The South has great food, a relaxed pace, and sweet, well-mannered folk. However, a lot of issues aren’t going away. ‘Future South’ is both an aesthetic and political statement. We’re taking forms and influences from soul, blues, and gritty southern music and ushering them forward. ‘Future South’ evinces the south can be a vibrant egalitarian place. You can love barbecue and not be racist.”
Ultimately, The Bright Light Social Hour will unite people. “We’re all together, but we have a lot of individual power,” concludes Jack. “We want every listener in the audience to have his or her own experience—but together.”
PR: Gina & Stephanie @ Press Here (US)
Booking: Frank & Brian @ High Road (US)